• K-12 Blended Teaching: Music
  • Preface and About This Book
  • General Introduction to Blended Teaching
  • Discipline Specific Blended Teaching
  • Appendices
  • Download
  • Translations
  • 5

    Music: Why Blend?

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    DELETE: Add your own videos and quotes where they fit, adding text to contextualize them and tie them to the theory. Change content of tables to fit your content area. 

    13-1.1 Blending in Music Teaching

    The first question you should ask yourself before embarking on the journey of blended teaching is “Why blend?” Teachers who are still searching for their answer to this question may end up spending a lot of time and energy implementing changes that do not serve any larger goal or purpose.

    Guiding Question: Why Blend?

    Teachers must answer the question “Why blend?” It is not sufficient to blend just because it is popular or because others are doing it.

    In the video below, Angela Harmon explains how blended teaching has helped her know her students better. What reasons might you have for blending?

    Teachers Talk: Knowing More about Each Student

    Angela Harmon

    I have found that the in-person student and the online student can be two very different people. In class we are either practicing performing or actually performing. Performing brings out certain characteristics of my students. I see another student when I interact with them online. By adding the online component, I get to know students that I wouldn’t have known so well just seeing them in-person.

    13-1.2 Reasons for Blending

    There are three primary reasons why teachers choose blended teaching:

    Brianne explains how blended teaching allows her to be both more efficient as a teacher and more creative. (Video)

    Oftentime teachers have multiple reasons for blending, but almost always one of these three reasons is primary in their minds. Table 1 below shows some simple ELA examples and how they might help the teacher to achieve multiple purposes simultaneously.

    Table 1

    Examples of Multiple Purposes for a Blended Music Activity (Replace with examples that fit your content)

    Blended Example Blended Purpose
    Facilitates student collaboration and feedback during the writing process. Learning Effectiveness: Sharing online writing eleminates the need for students or teachers to create hard copies of student writing to receive feedback. Because feedack is easier to provide, students can receive more detailed feedback. Students learn collaboration skills as well as the ability to rethink, rewrite, and revise their writing.
    Access and Flexibility: It is also easier for students to respond to recommendations and revise their papers online.
    Increased Efficiency/Cost: It saves the effort and cost to make physical copies of student papers. Using collaborative online documents can also make the collaborative process and providing feedback more efficient.
    Creates a space for discussions that involve all class members.  Learning Effectiveness: Many students struggle to fully participate in class discussions for a varieity of reasons, and others dominate these conversations. Online discussions give everyone the opportunity to participate (meaning they have time to discover what they think and write about it), creating more robust, reflective, and divergent discussions. 
    Access & Flexibility: Online discussions allow all students to voice their ideas.
    Increased Efficiency/Cost: Online discussions efficiently give every student a voice. They also free up classroom time for other activities. 
    Promotes differentiated instruction in grammar, usage, spelling, punctuation, reading fluency, and reading comprehension. Learning Effectiveness: Based on student data, students can be assigned learning activities specific to their weaknesses in the different areas of language arts. Students who don’t need to work on capitalization don’t have to. Students who don’t understand how to use possessives can receive instruction and activities designed to help them learn this concept.
    Access & Flexibility: Students have access to instruction specifically targeted to their needs. They have the flexibility to access the content they need and which they have not already mastered. 
    Increased Efficiency/Cost: Students don’t waste time where they are already proficient. They don’t have to wait for other students to catch up or worry about being behind.

    As you go through the music chapters, you will be able to reflect on what you have learned and design your own activities and classroom in a Blended Teaching Workbook. Click on the "Blended Teaching Workbook" button to access your workbook.

    Write a brief statement about why you want to blend your classroom. Which purposes and outcomes are you most interested in for your blend? Access your Workbook here. Make sure you save your copy where you can access it as you go through the ELA chapters.

    13-1.3 Common Challenges to Teaching/Learning Music: Problems of Practice

    All teachers face challenges. It's part of the nature of sharing a learning journey with a large number of young people. For many music teachers, making sure students have the necessary musical background can be challenging, especially in choral courses. Teachers like Tracy Warby, below, found that blended teaching allowed them to address the needs of students at many different levels of musical knowledge.  

    Teachers Talk: Addressing the Needs of Beginning Choral Students

    Image preview of a YouTube video
    Watch on YouTube https://edtechbooks.org/-MRjr

    Your choice to blend will be more meaningful to you and your students if it helps to address challenges that you and your students face in the traditional non-blended classroom. We refer to these challenges as “problems of practice.”

    Definition: Problem of Practice

    A problem of practice is a current problem or challenge that you believe could be improved through blended teaching.

    Problems of practice can fall under any of the three purposes outlined in section 1.1. However, the most meaningful and powerful problems of practice for teachers deal directly with improving learning outcomes for their students.

    Fig. 1

    Problems of Practice in Music (send me the problems of practice you would like to include. I will recreate the graphic with your content and upload it to the chapter.)

     

    PoP_ELA.png

    These five pathways are a powerful tool to help you think deeply about problems of practice that are relevant to you. Once you identify specific challenges in your current approach to teaching, you will be able to begin to explore what online approaches may be combined with your in-person approaches to make a better experience for your students and you alike. This process engergizes you and your teaching. Teachers who choose to blend often find that they enjoy teaching in new and fulfilling ways.

    Perhaps one of your problems of practice is helping students own their own learning. Blended teaching, as Tracy Warby shows, can help.

    Teachers Talk: Increased Student Ownership

    Tracy Warby

    Teachers Talk: Increased Student Ownership

    Before I started using technology, I thought some students just weren’t interested in learning. Some students just got lost in the cracks, especially younger ones. However, since they’ve been able to see their scores on tests in different areas of music, and they can see where they need to improve, I’ve seen students who just keep trying over and over again. They are willing to work once they have the opportunity to do so. They’ve learned to take responsibility and ownership for their learning. 

    In the next two quotes your teachers explain how blended teaching has empowered their teaching.

    Teachers Talk: Blended Teaching and Better Learning

    Tracy Warby

    Tracy Warby

    I started blending my classroom mostly so I could take back my rehearsal time. But the benefits have gone so much beyond my simple goal. What I didn’t realize was that it would actually help students learn more. Students who struggle are actually catching the vision in a way they never did in a traditional choral setting. The online work they’re doing is improving their musicianship, and their sight singing is better. They sing better and have better rhythm. Rehearsals are more fun. We can cover more music and harder music in less time. We were able to sing a four-part harmony a capella, completely in tune, with great rhythm. We couldn’t have done that without the blended learning we were doing.

    Teachers Talk: Burnout and the Power of Student Reflections

    Angela Harmon

    The last few years, I’ll be honest, I’ve felt a little burnout. My job is really draining. One thing that has helped is reading my students’ online reflections from their assignments. They write about what music means to them, what they discover about music and through music, what music is doing for them, and how it’s helping their family or neighbors. Not every student does this but enough do that it really helps me remember why I do what I do. It energizes me, and keeps me going.

    Finding Your Problems of Practice

    Now that you have reviewed the five pathways to identifying problems of practice, it is your turn to look at your own practice and try to identify a couple of challenges that you can consider as you continue throughout these music chapters. What student outcomes and teaching practices would you like to improve? What stands in the way of your teaching having the impact you would like it to have?

     Overcoming Challenges of Blended Teaching

    One of the concerns of teachers new to blended teaching is the learning curve of learning how to use and manage technology in the classroom. Here's how Tracy Warby addressed this challenge.

    Teachers Talk: Giving Up My Ego

    Tracy Warby

    I think the hardest part for me in starting to blend my classroom was feeling so horribly stupid. It was humbling, after having taught a long time, to all of a sudden be a student and not feeling at all competent. I had to be okay with asking for a lot of help. As soon as I got over that barrier, I was fine. But I had to let go of my ego before I could learn. That was a bit of a challenge for me.

    Identify 2-3 problems of practice (PoP) that you can use as you consider blended options for your classroom.

    Note: You should identify several problems of practice (PoP) because not every PoP has a good blended learning solution.

    If you haven't already opened and saved your workbook, you can access it here.

    Previous Citation(s)
    , , , , & (2022). K-12 Blended Teaching (Vol 2): A Guide to Practice Within the Disciplines, Vol. 2. EdTech Books. https://edtechbooks.org/-QNCX

    This content is provided to you freely by EdTech Books.

    Access it online or download it at https://edtechbooks.org/k12blended_music/ela_whykUEhpA.